Personal statement: I first discovered photography the summer before my freshman year of high school, thanks to my oldest brother. He introduced me to the basics, and I soon found myself very interested. That summer, I spent hours watching YouTube videos, learning about different techniques, and practicing with his old Nikon D3100. I didn’t have much gear or experience, but I was excited to improve and explore the new hobby.

When school started that fall, I learned that Community High School had a well-known journalism program. I heard that students could take photos for the school’s publications, and I knew right away it was something I wanted to be a part of. As soon as I was able to, I joined the journalism program during the second semester of my freshman year.

Joining staff completely changed school for me. I met Daniel Ging, who was the photography editor at the time. He became a mentor and friend who helped me see how powerful photojournalism can be. That semester, I fully committed to learning and growing. I practiced constantly, experimenting with composition, lighting, and editing and started to understand how photos could tell meaningful stories that connect with people.

At the end of that year, I applied to become the next photography editor—and was chosen. Since then, I’ve had the chance to lead photography for our magazine, website, and yearbook. My role isn’t just about taking strong photos; it’s also about helping others. I teach students how to use cameras, give them feedback, and support them in taking photos for their own visual stories. Taking on this leadership role has helped me grow as both a leader and a photographer.

Outside of school, I’ve continued to push myself. I explored new styles like film, street, and sports photography. I even started a small business through Instagram, shooting sports and other events. In the process I have been able to develop a personal style. Whether I’m capturing the raw intensity of a basketball game, the quiet strength of someone preparing for a photoshoot, or the joy of a student cheering at a football game, I aim to create images that feel honest and alive.

This year, I helped lead the first edition of our magazine to a Best of Show award. I’ve also received individual recognition in both state and national competitions. Next year, I’ll take on a bigger leadership role as one of our publication’s print editors-in-chief. My goal has always been to make our journalism more engaging, not just with great stories and design, but with visuals that draw readers in and keep them connected.

I truly believe that a photo tells a thousand words. Whether I’m flipping through a magazine or scrolling on a website, the photos are always what I notice first. Great images bring stories to life. That’s what I aim to bring to every issue we publish—photos that don’t just fill space, but that make people pause and feel something.

Photojournalism matters to me because it captures moments; moments that are powerful and emotional . Whether it’s a student tugging with everything they’ve got in a school competition, or a young child gazing at a vice president with curiosity and hope, photos like these reveal something bigger than the frame itself. They tell the story of our school, our community, and sometimes, our future.

Photography started as a hobby for me, but journalism helped turn it into something more. It’s now a true passion and I’m excited to keep pursuing it.


Young Eyes on the Future

A young spectator, full of curiosity, gazes at Kamala Harris during her rally in Ann Arbor, Michigan, on Oct. 28. The child’s presence reflected the diversity of the crowd, as people of all demographics and ages turned out for the vibrant and hopeful gathering.

Description

I was privileged to receive a press pass to cover a Kamala Harris rally. While I took many photos of the various speakers, I realized that focusing only on the speaker is boring and repetitive. So instead, I started looking at the crowd. That’s when I noticed a young boy sitting on someone’s shoulders. Surrounded by a diverse group of people, he had a curious expression that stood out to me. I felt that capturing his perspective would tell a more unique and meaningful story about the event.

Game Day Energy

Sadie Wilkins cheers on the Pioneer High School football team. She loves going to all the games with her friends and always brings her enthusiasm to the student section.

Description

I first noticed the Pioneer student section was doing a blackout theme. I knew the dark clothing would create strong visual contrast and help the photo stand out. Since it was a rivalry game, I expected big reactions from the energized crowd. Just as Pioneer was about to score a touchdown, I ran over to the sideline to capture the students cheering—wanting to focus on their excitement rather than the play itself.

Pulling Together

On May 23, senior Sebastian Berenfeld and the entire Hunscher-Young Forum pull with all their might during the tug-of-war competition at CHS’s annual end-of-year Field Day. Berenfeld has always looked forward to Field Day and wanted to give it his all one last time.“Tug-of-war and Field Day in general is by far my favorite school day of the year,” Berenfeld said.“There’s just something really fun that brings everyone together.”

Description

To capture the energy of the moment, I sat on the ground to get a low angle that emphasized the effort of everyone pulling during the tug-of-war. I zoomed all the way out on my 70–200mm lens to include teacher and Forum leader Joslyn, as well as the students cheering on the sidelines, aiming to show a full snapshot of this year’s Field Day

Intensity in the Huddle

Rich Marion, head coach of the Pioneers varsity men's basketball team, passionately yells at his players during a timeout. With less than fifteen seconds left in the third quarter, he outlined a play, crucial for the Pioneers to finish the quarter strong.

Description

For this shot, I spotted a small opening in the Pioneer huddle. At the time, I was farther away, but I thought a photo of the head coach talking to his team would capture the intensity of the close game. So, I moved closer and used full zoom on my 70–200mm lens to make the coach the main focus of the frame."

Coils of Strength

Mia Fletcher touches up her thick, coily hair as she gets ready for a photoshoot. She has faced prejudice and micro-aggressions due to societal beauty standards, but no matter how others regard it, Fletcher's hair will always be her "crown."

Description

I was taking photos for the cover and cover story of the second edition of our magazine this year, The Communicator. We had taken a break, but I saw Mia fixing her hair and thought I could use the mirror and the way she tilted her head to capture an interesting candid shot .